Imaginary languages made real at the University of Rochester

Imaginary languages made real at the University of Rochester
through glass

Opening reception, February 25th, 2016

No doubt you’ve heard of Tolkien’s Elvish, Klingon from Star Trek, Game of Thrones’  Dothraki, and maybe even Sir Thomas More’s Utopiensium Alphabeticum from Utopia. Perhaps the most famous example of an invented or “artificial” language is Esperanto, whose heyday was in the interwar period. At that time, along with the League of Nations, hopes flourished that an international language could help promote world peace.

This history is explored in Language Architects Through the Ages, an exhibition at the Rossell Hope Robbins Library on the 4th floor of Rush Rhees Library, at the U of R, curated by professor of English Sarah Higley. Browsing the cases, you encounter twenty-some imaginary languages: historic, esoteric, literary, contemporary and even some spoken by only one person.


Rossell Hope Robbins Library on the 4th floor of Rush Rhees Library, Opening Reception, Curator and Professor Sarah Higley at the podium, 2/25/16

The earliest substantial and intelligible invented language is by Hildegard of Bingen called the Lingua Ignota (unknown language–it’s composed of 1012 nouns). Hildegard, an abbess, mystic and now saint, most recently captivated popular attention through a 2009 film Vision (dir. Margarethe von Trotta).

From the fifteenth century, we see a facsimile of the mysterious Voynich manuscript, a medieval masterwork whose encryption has eluded super computers that can defeat chess grand masters.

In the Early Modern period, John Dee recorded his “Angelic Language” (later called “Enochian”) with the help of his scryer Edward Kelley. Dee’s conversations with angels and his occult alphabet landed him in trouble with witch-hunters in Elizabethan England.  Also exhibited is a seventeenth-century translation of Cornelius Agrippa’s Three Books of Occult Philosophy first published in 1510 recording some magic alphabets (from the Rare Books collection).

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From a 17th century book by Meric Causabon who recorded some of John Dee’s Angelic Language along with his sigils. [Photo: John Sterritt and courtesy of the Rare Books Collection] 2/25/16

Closer to home, the prominent Rochester family, the Bragdons, also features. Eugenie McCaulay Bragdon (1870-1920) practiced a form of spiritualism known as psychography, whereby the writer becomes a medium for spiritual forces. Her “automatic writings” were collected by her husband Claude Bragdon after her death, and published in a slim volume known as “The Oracle,” parts of which are on display.

Rush Rhees ‘s Rare Books has a sizable collection of Eugenie Bragdon’s original papers with her automatic writing on it, one of which is on display and transcribed by Exhibits Manager Travis Johansen.

For more on Bragdon and her status as medium and relationship to Adelaide Crapsey (and her spirit), see James Caffrey’s piece, Alone in the Dawn.


Tennyson, dour Victorian as ever, looks down upon those who meddle with language. Can’t you just use English? 2/25/16

In addition to materials held in the Rossell Hope Robbins Library, the Rush Rhees Rare Books, Special Collections, and Preservation department and from Higley’s own collection, the exhibition also features original works by language inventors and artists on loan from the creators themselves, including Britton Watkins, inventor of Siinyamda, Steven Travis, inventor of Tapissary, Michael Bacon, inventor of Kardak, and Trent Pehson, inventor of Idrani. What makes these objects so compelling is their invitation to consider language not just as a vehicle for spoken and written communication, but as a visual art in its own right.


Props featuring Britton Watkins’ Siinyamda, used in the indie sci-fi film Senn (2014). [Photo: John Sterritt] 2/25/16

My favorite language and object in the exhibition is Sylvia Sotomayor’s Kelen, an interlace script that uses no verbs, here seen embroidered on a robe. Writing without verbs is no easy feat: That mod shirt [would have] the Town [Talking] at the Lilac Festival.

The exhibit runs through July 29.

shirt verb darkened

Robe featuring Kelen on loan from Sylvia Sotomayor [Photo: Steffi Delcourt, Robbins staff] 5/5/16


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About The Author

Welcome to Talker of the Town! My name is David Kramer. I have a Ph.D in English and teach at Keuka College. I am a former and still active Fellow at the Nazareth College Center for Public History and a Storyteller in Residence at the SmallMatters Institute. Over the years, I have taught at Monroe Community College, the Rochester Institute of Technology and St. John Fisher College. I have published numerous Guest Essays, Letters, Book Reviews and Opinion pieces in The New York Times, Rochester Democrat and Chronicle, the Buffalo News, the Rochester Patriot, the Providence Journal, the Providence Business News, the Brown Alumni Magazine, the New London Day, the Boston Herald, the Messenger Post Newspapers, the Wedge, the Empty Closet, the CITY, Lake Affect Magazine and Brighton Connections. My poetry appears in The Criterion: An International Journal in English and Rundenalia and my academic writing in War, Literature and the Arts and Twentieth Century Literary Criticism. Starting in February 2013, I wrote for three Democratic and Chronicle  blogs, "Make City Schools Better," "Unite Rochester," and the "Editorial Board." When my tenure at the D & C  ended, I wanted to continue conversations first begun there. And start new ones.  So we created this new space, Talker of the Town, where all are invited to join. I don’t like to say these posts are “mine.” Very few of them are the sole product of my sometimes overheated imagination. Instead, I call them partnerships and collaborations. Or as they say in education, “peer group work.” Talker of the Town might better be Talkers of the Town. The blog won’t thrive without your leads, text, pictures, ideas, facebook shares, tweets, comments and criticisms.


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